Ansel Adams

When looking at Ansel Adams set of photo's this one in particular stuck out from the rest. Although there were plenty other of landscapes and other portraits this one seemed to be the most interesting so to say. When looking at this photograph, there are plenty of things that come to mind. For instance, the people are all outside practically surrounding this man on the bed in the center front. Now what exactly a bed is doing outside is the real qeustion. Is this photo a set up or are these people actually living like this in the outdoors. If these people truly are living under these conditions, why do none of them have a look of concern on their face. For the most part there is a calmness and satisfaction in a sense amoung all of their faces. They are living in these awful conditions hypothetically, yet it doesnt seem to phase any of them. Could Ansel Adams possibly have been trying to capture the true meaning of being happy with life. Possibly by showing these people in these non-ideal conditions could have helped show that people dont need to be living a life of luxury to be content in life.

Edward Weston

Dead Man, Colorado Desert 1937

When going through Edward Wetson's book of photography, there seemed to be a disterbing quietness within every picture. In some it was simply a beyond still landscape, while others like the one above, there was something dead (literally) about the piece itself. Whether or not the man in this photo is dead or not is beyond me, but by the looks of the rest of Westons photography, the man probably is. Looking at this photograph, one can see that this man had suffered greatly within the Colorado Desert. By looking at his face you can see the leathery sunburnt looking skin, that seems painful just by looking at it. His hands seem extremely dry, perhaps from the dehydration of his body from being out in the desert for a long period of time. The clarity of the photograph was extremely well done by Weston. He was able to get a hold of all of the little details from the face of the man nown to the slightest pebbles within the dirt. By Edward being able to do this, he was able to allow the viewers to grasp ever little struggle that lays upon the dead mans body.

John Szarkowski

LaSalle Street

When going through the photography book of John Szarkowski, there were a ton of landscape photo's that were all in all quite beautiful, but his few social landscapes are what I believed to be some of his best pieces of art. Within all of his social landscapes there seemed to be a certain stillness to each and every one of them, whether the subject matter was truly at a standstill or not. The photograph of LaSalle Street is the one that I found to be the most successful. Although the people who are waiting to cross the street are still, and silent in a sense, the surrounding area is not. The people in the background are blurred from being in motion, and the look of some of the cars in the background seem to be in motion to, but without the extent of the blur found within the people. The ability of Szarkowski to have such stillness in such a moving scene is quite impressive. He was able to make it seem as though the people were in essence frozen in time, or at least slowed down compared to the rest of the world. He was able to make it appear as though he was able to slow down time just for those people alone. The best part about this picture is the look on each of the peoples faces. They all seem to be in deep thought about something, and it makes you question what exactly is on their minds. Maybe that was his inspiration for making it seem as though time was frozen. As if they were trying to figure out what was going on within the chaotic world that surrounded them.

Sally Mann

The New Mothers

When looking at Sally Mann's book of photography, I was not all that thrilled at the work she did. Although I'm sure many find it extremely artistic and meaningful, I did not. Personally I found her work some what distasteful and wrong on a lot of levels. Seeing children of all ages nude in a good amount of her photography came off as somewhat grotesque when going through the book. Although most of the photo's were of nude children, I must admit there were a few that I did find to be quite powerful, like the one above of the "new mothers". When looking at this photo I automatically get the sense of children constantly wanting to grow up. You always see children saying how they just want to be older, and how you can see them constantly trying to mimic that of their parents or of other adults around them. Children today are always trying to grow up faster than they should be and this picture portrays that very well. Not only can a viewer see that the children are holding cigarettes and babies, essentially portraying a mother, but the looks on the childrens faces are quite intense as well. Their faces are what I would picture a worn out mothers face to look like, tired and just in need of a cigarette break. The fact that she was able to captivate this emotion from a young child is beyond impressive.

Nan Goldin

Gina at Bruce's Dinner Party
Going through all of the photos within the book about the photographer, Nan Goldin it was quite apparent that they liked to get a sense of what goes on when no one is looking, whether it be a moment of intimacy, hidden emotions, or anything else that could happen behind closed doors. Out of all of the photos within the book, this one stuck out the most to me personally. At first glance I was already captivated by the underlying emotion that layed within the photo. The captian alone says a lot. It explains that this woman is at a dinner party, now usually when I think of dinner parties I think of everyone gathered around a table or all huddled up in the livingroom or some spot talking and laughing over a bite to eat, but this photo is far from that. Instead the woman in this photo seems quite lonely, and is in fact alone within the picture. The expression on the womans face is what I found to be the most captivating part about this photo. Just looking into her eyes makes you feel as though she is thinking really hard about something that is on her mind, or that she is regretting having gone to that dinner party. Like the rest of Nan Goldin's photo's the characters within the photo's have extremely big emotions evoking from them whether that person is aware of it or not. The rawness of the pure emotion within Goldins work, is what I find to be the most amazing form of photography.